Some collections are made for white walls.
This one was made to travel.
Why Brooklyn
Awkward Paper Dolls was never meant to remain hidden in one room.
From the beginning, I could feel that these pieces wanted to move—through neighborhoods, through conversations, through spaces where people might unexpectedly encounter themselves inside the work.
Brooklyn feels like the only place to begin.
Although I was not born here, Brooklyn became the first place in New York that truly welcomed me.
It became the borough where I learned how to rebuild myself, where my creativity deepened, and where my work quietly began to reawaken.
So it felt right that this collection would first belong here.
Spaces for the Work
Libraries.
Cafés.
Creative spaces.
Unexpected corners that allow art to breathe.
Rather than waiting for people to find the work, I want the work to find people.
That is what this year is becoming:
a moving exhibit,
a personal milestone,
and a quiet thank-you to the borough that made space for me long before I knew how to make space for myself.

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